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"Iranian Americans."
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The dance of the rose and the nightingale
\"This is an autobiography of a young girl growing up in Iran. The daughter of an English Christian mother and an Iranian Zoroastrian father, Nesta Ramazani sketches her personal life story against the backdrop of a society marked by the fusion of Iranian, Islamic, and Western cultures, and by the efforts of an authoritarian state to force modernization on a traditional society.\"
Book
From the Shahs to Los Angeles
Gold Medalist, 2013 Independent Publisher Book Awards in the Religion category Saba Soomekh offers a fascinating portrait of three generations of women in an ethnically distinctive and little-known American Jewish community, Jews of Iranian origin living in Los Angeles. Most of Iran's Jewish community immigrated to the United States and settled in Los Angeles in the wake of the 1979 Iranian Revolution and the government-sponsored discrimination that followed. Based on interviews with women raised during the constitutional monarchy of the earlier part of the twentieth century, those raised during the modernizing Pahlavi regime of mid-century, and those who have grown up in Los Angeles, the book presents an ethnographic portrait of what life was and is like for Iranian Jewish women. Featuring the voices of all generations, the book concentrates on religiosity and ritual observance, the relationship between men and women, and women's self-concept as Iranian Jewish women. Mother-daughter relationships, double standards for sons and daughters, marriage customs, the appeal of American forms of Jewish practices, social customs and pressures, and the alternate attraction to and critique of materialism and attention to outward appearance are discussed by the author and through the voices of her informants.
eBook
Jasmine Zumideh needs a win
After lying on her college admissions, seventeen-year-old Jasmine needs to win her senior class election, but the Iran Hostage Crisis explodes across the nightly news and her opponent begins to stir up anti-Iranian hysteria at school causing Jasmine to reconcile with her identity in way she never has before.
Book
Exiled Memories
\"I feel I am the wandering Jew who has no place to which she belongs. I thought I could settle down, but can't imagine staying. Whenever I bought a bar of soap and two came in the package, I thought there would be no need to buy a package of two because I would never last through the second. Why? Because I knew I was returning to Iran -- tomorrow. So too, I would buy the smallest size of toothpastes and jars of oil. Putting down roots here is an impossibility.\"These are the words of one Iranian emigre, driven from Tehran by the revolution of 1979. They are echoed time and again in this powerful portrayal of loss and survival. Impelled by these word and her own concerns about nationality and identity, Zohreh Sullivan has gathered together here the voices of sixty exiles and emigres. The speakers come from various ethnic and religious backgrounds and range in age from thirteen to eighty-eight. Although most are from the middle class, they work in a variety of occupations in the United States. But whatever their differences, here they engage in remembering the past, producing a discourse about their lives, and negotiating the troubled transitions from one culture to another.Unlike man other Iranian oral history projects, Exiled Memories looks at the reconstruction of memory and identity through diasporic narratives, through a focus on the Americas rather than on Iran. The narratives included here reveal the complex ways in which events and places transform identities, how overnight radical s become conservatives, friends become enemies, the strong become weak. Indeed, the narratives themselves serve this function -- serving to transfer or transform power and establish credibility. They reveal a diverse group of people in the process of knitting the story of themselves with the story of the collective after it has been torn apart.
eBook
Exiled Memories
\"I feel I am the wandering Jew who has no place to which she belongs. I thought I could settle down, but can't imagine staying. Whenever I bought a bar of soap and two came in the package, I thought there would be no need to buy a package of two because I would never last through the second. Why? Because I knew I was returning to Iran -- tomorrow. So too, I would buy the smallest size of toothpastes and jars of oil. Putting down roots here is an impossibility.\"These are the words of one Iranian emigre, driven from Tehran by the revolution of 1979. They are echoed time and again in this powerful portrayal of loss and survival. Impelled by these word and her own concerns about nationality and identity, Zohreh Sullivan has gathered together here the voices of sixty exiles and emigres. The speakers come from various ethnic and religious backgrounds and range in age from thirteen to eighty-eight. Although most are from the middle class, they work in a variety of occupations in the United States. But whatever their differences, here they engage in remembering the past, producing a discourse about their lives, and negotiating the troubled transitions from one culture to another.Unlike man other Iranian oral history projects,Exiled Memorieslooks at the reconstruction of memory and identity through diasporic narratives, through a focus on the Americas rather than on Iran. The narratives included here reveal the complex ways in which events and places transform identities, how overnight radical s become conservatives, friends become enemies, the strong become weak. Indeed, the narratives themselves serve this function -- serving to transfer or transform power and establish credibility. They reveal a diverse group of people in the process of knitting the story of themselves with the story of the collective after it has been torn apart.
eBook
Code of honor
When Iranian-American Kamran Smith learns that his big brother, Darius, has been labelled a terrorist, he sets out to piece together the codes and clues that will save his brother's life and his country from a deadly terrorist attack.
Book
After the Revolution to the War on Terror: Iranian Jewish American Literature in the United States
The essay examines the sometimes synchronistic relationships in Iranian Jewish American literature between reading practices, aesthetics, and politics from the Iran hostage crisis to the War on Terror. As such, Mirakhor describes key features of this canon (its articulations of an imaginary homeland, struggles with assimilation, and belonging neither here nor there as Iranian Jews), as well as its relationship to the larger canons of Middle Eastern/Arab diasporic literatures and American literatures. Examining the works of writers such as Gina Nahai and Roya Hakakian, as well as the Bravo TV series The Shahs of Sunset, Mirakhor critiques the political and ideological dangers of neo-Orientalist and neoliberal rhetorical practices, as well as revealing some of the untethered possibilities in creating more multifaceted, nuanced articulations of “Iranian” and “Jewish” in the United States in the twenty-first century.
Journal Article
A good country : a novel
\"Laguna Beach, California, 2009. Alireza Courdee, a fourteen-year-old straight-A student and chemistry whiz, takes his first hit of pot. In as long as it takes to inhale and exhale, he is transformed from the high-achieving son of Iranian immigrants into a happy-go-lucky stoner. He loses his virginity, takes up surfing, and sneaks away to all-night raves. For the first time, Reza--now Rez--feels like an American teen. Life is smooth; even lying to his strict father comes easily. But then he changes again, falling out with the bad boy surfers and in with a group of kids more awake to the world around them, who share his background, and whose ideas fill him with a very different sense of purpose\"-- Provided by publisher.
Book
It Ain’t So Awful, Falafel by Firoozeh Dumas (review)
Good luck with that, since her parents keep her on a short leash, rising middle school friendships seem to have already been solidified, and her one potential pal from the summer throws her over as school opens. Geopolitics upsets this happy trajectory, though, when Iran’s shah is deposed, an Islamic regime comes into power, and American hostages are held in the embassy in Iran; back in the U.S., Cindy’s father is suddenly out of work and the family regarded as pariahs by some of the community.
Journal Article